interesting to see that good watches from long ago can still be worn with elegance in our modern world.
One may want to suggest Diane that it is ok to eat, every now and then... she seem to have gone from slim to overly slim, imho.
Kiwi yoghurts are like high end watches these days, and they come with their very own limited editions.
I don't know how they retain value over time or age for that matter....
as usual... time will tell (well, if I can save one from the other family members, that is)
you may enjoy this video made by a friend of mine after he purchase a "kingston".
(please note that the design of the original watch has fallen in the public domain and therefore this "kingston" is not a fake but a legal copy)
I believe in the power of "thinking with the hands".
for this purpose, I use pen and paper.
I recently acquired a modest Aurora Ipsilon and rediscovered the pleasure of writing with a nice foutnain pen, filled with a good ink and a smooth piece of paper. (I know, it is so 20th century).
then my passion for photography took over.
here is one shot of the ipsilon.
what sort of JLC you'd see and which advanced complication you'd like going with this study for aston martin (project is named gauntlet).
(design by turkish designer Ugur Sahin).
for any brand who has such neat and clean customer services center.
Leica are very reliable machines, but problems do occur. knowing the camara will be fixed there must give every owner a very peaceful mind.
The sub was designed to be an underwater safety instrument. To me that is quite distant from a versatile dress watch. James bond has it on his wrist because this character has to be ready for the unexpected, even when going to a formal occasion, imho.
A dress watch is to me first and foremost a discrete watch. Again the sub and other GMT master don't qualify. But they score high as easy to ide
thx for brining this up.
This is a genuine concern ( ) ): what do we actually see when we look at the moonphase of our calendar.
I follow your reasoning. a step is a step and between 2 steps, well, nothing changes. Whic means the display when sync properly displays the real thing only at the time of the next step.
I was under the impression though, that in the case of the Atmos, the moonp
both sides are really different and captivating.
Watch out, reversos are addictive. You get one and then soon you find yourself wanting another one.
here is a recent picture of the last addition to my collection
I do like your post very much, as it demonstrates that sometimes, OK is not good enough.
There are twatches with a moon accruate with a day in 122y but they Don't come anywhere close to the bargain price of the fantastic atmos. In fact you could probably buy an atmos per room for one of these wrist watches.
We cab always all JLC to make a master grande moonphase with a very accurate moonphas
Or rather my atmos that is quietly for me to pick it up and hand carry to the place where I have moved.
Good to see that I could find my post with the details on how to set it right.
(I do a little "up" for a friend who was recently looking for it. I hope it is ok.
Or rather an artefact of simple tuning of brightness and contrast.
So, in short the smoke is originally blue, and becomes a bit bluer after little tuning, but nothing like intentionally changing or tweeking the colors.
has been around for several years with subtle variations and limited editions proving the strength of the deisgn.
If only this case was not so generous in size, it would have entered my collection for sure.
Well done Maurice Lacroix in following their own path with great design and good calibres.
Very good value for money.
great to put the roue carree on the seconde, if the calibre can ta
I took some time to observe the koala recently. I suppose the lighting may not have been great, butI found the dial looking a lot darker in the real life.
The parrot is bright and light. Almost fluffy.
It is hard to be, at VC&A for this kind of watches, however there is room for many different ways of expressing creativity.
The tiger is awesome.