The Tank watch by Cartier is unmistakable Cartier's most popular watch.
While the Santos was the first watch and immense popular, the Tank is a watch that is
considered to be the watch to have.
May be because it's less outspoken than the Santos, may be because it's more dressy
and easier to wear and combine, who knows.
The Tank collection is the largest family in Cartier's watch collection and has a huge variety
of shapes and sizes. From steel to platinum, from gold to diamond set pieces.
My own first Cartier watch, was a steel Santos, but it was soon accompanied by a white gold
Tank Americaine that I still wear.
The Tank watch was created in 1917 out of a vision, a solid concept that was the culmination of
a lengthy process of deliberation. Here was an instrument for telling the time that completely
eschewed tradition, turned custom on its head, brought modern design into the ateliers and took
its place as a quintessential model for watchmaking.
It was said that “a Tank had stormed Cartier”. As it went on to segue between decades and
straddle the century, this trailblazing watch and its revolutionary form, style and elegance were
to pioneer a decisively modern lifestyle.
Cartier's sketch of the evolution of the Tank watch, gives an excellent idea, how the idea of theTank watch was born
--- 1917 BIRTH OF A LEGEND: "TANK NORMALE” WATCH" ! ---
Squaring the circle... In 1904, Cartier designed a watch specifically to be worn on the wrist:
the very first Santos watch was a gift from Cartier to his friend the aviator Santos-Dumont,
letting him easily check the time whilst in the air.
Cartier soon grasped that this invention would transform the very nature of the watch and over-
turn the landscape of the watchmaking business. The wristwatch would become an essential
accessory, as functional as it was elegant.
The early years of the 20th. century were dedicated to formal research into aligning the circle
(of the hours) with the strap and paring down the design.
The ultimate goal was seamless integration of the lugs and the case as an extension of the strap.
The harmonious blending of these components made the Tank watch simultaneously square and
rectangular, an ingenious feat that was the culmination of years of deliberation and heralded a
new era in watchmaking.
The seamless blending of the case and lugs on the “Tank Normale” signalled a unique stylistic
leap forward within the field. The story goes that Louis Cartier himself modelled the design of the
Tank watch on the top view of a tank: the brancards evoked the treads and the case represented
the cockpit of the vehicle.
The prototype of the Tank watch was designed in 1917 as WWI raged, and presented in peace-
time as a gift to General John Pershing, Commander of the American Expeditionary Force in
Europe. The strength of the design lay in its dramatic break with the elaborate curves fashionable
at the time, and the exercise of restraint in its form.
It was an instant hit, and herald of the pared-down trend: clean, crisp lines and defined shapes.
The concurrent release of a jewellery version confirmed the Tank’s trailblazing credentials for
both a male and female clientele, proving that freedom and elegance have no gender.
Production proper of the Tank would not begin until 1919, when six models were manufactured
between 15 November and 26 December; all six were sold by 17 January the following year.
Pictured here is the newest extra flat LC Tank XL, from the 2012 collection,
currently the thinnest watch in the collection. Mechanical 430MC movement
The Tank Louis Cartier was an unapologetic choice of the rectangular form.
The watch is distinguished by soft angles and the distinct roundness of the tops of the lugs.
This piece fastidiously embodies the marked contribution made by Louis Cartier to the modern
style later known as Art Deco: the proud, taught lines of the square and rectangle are softened,
and the geometry of corners is relaxed.
The curved form was designed to mirror the shape of the wrist. In terms of function and style,
this timepiece was a precursor to the Tank Américaine watch of the 1980s.
Not for the first time – and certainly not the last – Cartier spotted inspiration in the arts of other
cultures and borrowed features for use in jewelry and watchmaking.
The watchmaker-jeweller was expanding its fields of interpretation and inspiration to Islamic art
and India.
The 1920s saw exceptionally refined objects – vanities, bracelets, powder boxes and pendants
– fashioned from precious materials sourced in China and adorned with mythological motifs.
The Tank Chinoise watch was created in 1922 at the height of this craze.
The totally original form of the piece was inspired by the architecture of Chinese temple porticos.
In counterpoint to the brancards, two horizontal bars straddle the watch face and slightly
protrude on either side, mimicking the interplay of interlocking lintels left in full view.
The balance of the forms shifts and re-centres on the square. In its devotion to clean,
pared-down lines, Cartier saw geometry as intertwined with the perception of beauty.
THE TOTALLY ORIGINAL FORM OF THE PIECE WAS INSPIRED BY THE
ARCHITECTURE OF CHINESE TEMPLE PORTICOS
With the advent of the train & automobile, speed was everything: the dial symbolised modernity.
Louis Cartier based the aesthetic of the Tank à Guichets on a watchmaking complication,
the jumping hour. In these perfectly pared-down watches, the glass, dial and hands were repla-
ced by plaques pierced with apertures that displayed segments of the discs, one indicating the
hours and the other minutes.
Cartier played around with the layout and form of the apertures, and with the positioning
(at 12 o’clock or 3 o’clock) and style of the winding mechanism:
sapphire cabochon, fluted or notched and flat crown. With restraint a priority, brushed platinum
or gold were generally used to give a matte appearance.
In the design of pocket watches and wristwatches alike, watchmakers sought to protect the
fragile glass component.
This concern became all the more prominent in the 1930s as it became increasingly fashionable
to play sports.
The Tank Basculante watch created in 1932 featured a case that pivoted lengthwise within an
articulated framework; the integrated winding mechanism was positioned at 12 o’clock.
The time could be displayed or masked at leisure.
The Tank Asymétrique watch turned the aesthetic of the early days of watchmaking on its head.
The entire balance of the watch was shifted, with 12 o’clock and 6 o’clock moving into the
corners and the winding mechanism placed at 2 o’clock. The watch may be taken to express
the contradictions of an era, its aspirations for change or its rebellion against set rules.
The 1963 version was named the Tank Oblique.
A re-release of a Tank Asymetrique in 2006, limited to 150pc in yellow gold, mechanical hand wound movement,
caliber 9770 MC, solid back and Breguet styled hands.
1940 The Tank watch acquired a prime position on the international stage with the growing
influence of the silver screen in the 1940s. Countless actors, writers and artists chose to wear
this watch, each in their own individual fashion, in a show of perfect elegance.
The Tank Rectangle (broad model) brought opulence to the 1950s in no uncertain terms.
The generous forms of the watch, boasting a gold dial to match the gold case, manifest an
unapologetically classic style.
The Tank watch underwent a makeover in the 1960s and was given smaller, feminine cases.
The dainty Tank Allongée took pride of place, and the range expanded to include the Mini Tank
Louis Cartier. The brancards of the small Tank Allongée and Mini Tank were set with diamonds,
honoring the jewelry variations embarked upon by Louis Cartier in the 1920s.
--- 1977 TANK MUST DE CARTIER VERMILION AND BURGUNDY DIAL ---
The 1970s saw Cartier infuse its timepiece collection with modernity and elegance.
Must de Cartier signature at 12 o’clock, intertwined double C and Swiss at 6 o’clock.
Satined and polished vermilion case, polished vermilion brancards. Beaded winding crown,
one blue spinel cabochon, folding buckle. Rectangular coral-coloured lacquer dial. Gold bâton hands.
In 1972, the spotlight was placed on the Louis Cartier range with new solid gold watches fitted
with leather straps. In 1977, at the height of Must de Cartier period, a new collection of vermilion
watches paid tribute to the form of the Tank Louis
Cartier.
Solid dials stripped of numerals were steeped in understated tones, evoking the precious
materials of the world of jewelry: onyx, coral, ivory, lapis lazuli, tortoises hell and garnet.
Yet in spite of these exciting new choices of colors and materials, these pieces remained faithful
to the spirit of the Tank Louis Cartier watch.
In a final flourish of glittering refinement, the crown was adorned with a sapphire cabochon.
An instant hit all over the world, this collection enjoyed unrivaled success.
--- 1989 TANK AMERICAINE ---
Designed in 1987 and launched in 1989, the Tank Américaine watch followed in the footsteps
of the Tank Cintrée, borrowing its curved case while updating the design with a more compact
rectangular form and rounded brancards.
A wonder of watchmaking craft and style, this watch takes a playful approach to geometry,
alternately decisive and gentle, with straight lines and curves, round edges and angles.
The Tank Américaine was the first Cartier watch to offer a curved water-resistant case.
The shape of the Tank Americaine case was adapted from the early Tank Cintrée and became bolder and more solid now.
This solid, generous watch is unapologetically beautiful. Another feature was the new
folding buckle that allowed the strap length to be precisely adjusted to the wrist size,
replacing the mechanism employed by Cartier since 1910.
The power and elegance of its elongated, slightly arched form made this watch a classic.
In its display of strength, the piece may be considered a tribute to the Tank watch presented to
General Pershing.
--- 1996 TANK FRANÇAISE ---
The Tank Française watch, launched in 1996, updated the classic Tank legacy of the parallel-set
lateral brancards, Roman numeral dial, chemin-de-fer chapter ring, bâton hands, and a fluted
winding crown decorated with a sapphire cabochon.
In a bold departure, the curved case was set in a chain-link bracelet.
Featuring bevelled brancards, concave curved links and a curved form, the case and bracelet
blend into a single continuous entity, seamlessly merging line, volume and material.
The chosen finishes toughen the lines of the watch, creating an all-new Tank.
The shape and corrugated edges of the bracelet recall the design of the treads of armored
tanks. As functional as it was stylish, boasting seamless lines, this archetypal wristwatch
was a true feat of design.
The Tank Divan launched in 2003, lived a pretty short life, compared to the other Tank models.
Personally I like the Divan a lot, but when it was released, the trend for 'larger watches' was
coming up and I am afraid that the Divan suffered from a too small case, at the time of introduction.
The watch was released with an automatic movement, while the smaller model had a
quartz Swiss movement.
But the Tank story will never stop and we are very close to a new release of a new Tank in June!!!
The Tank Anglaise will soon join the Tank Americaine and Tank Francaise and become one of
the major pieces in the Tank collection!
The Tank Anglaise will be Cartier's new watch to keep an eye on!
In June the watch will be released in three sizes and all in yellow-, white- or pink gold
with gold bracelet.
Diamonds versions are available in all three sizes. The largest model is pictured above.
Cartier's CEO, Mr Bernard Fornas has been seen at public presentations wearing the large size
on leather strap, so the release of this model, might be planned at the end of 2012.